Join the orchestra

Entry is by audition every year, including returning members.

Who can apply

Students and recent graduates anywhere in London, regardless of field of study.

What to prepare

Excerpts

Recording it

Sending it in

Joe-BLOGGS-Trumpet-solo

We'll send you a link once you apply. Please name your files using this helper, as this allows us to keep track of recordings and avoid confusion.

Turning up

Attendance is expected at every rehearsal, and joining the orchestra means agreeing to the depping policy.

Advice

The panel listens for rhythm, intonation, sound, style and musicality, in the excerpts as much as the solo.

Make a YouTube playlist of the excerpts and live with them for a while.
The audition panel
Be expressive and musical. Technical accuracy is already high across the applicants, so what we are listening for is how you stand out.
The audition panel
Focus on the excerpts. Listen to recordings and play along. We hear the same excerpts many times over, so your interpretation is what separates you from everyone else.
The audition panel
Wind and brass, apply early. Those places are the most competitive.
The audition panel
Try and enjoy yourself! Try and put the music first, that's what is important!
Jason Evans · Principal Trumpet, Philharmonia Orchestra
Focus on the excerpts, as the panel is at least as interested in how well you have prepared these as in the playing you demonstrate in your solo piece.
Alex McFarlane · Associate Principal Viola, New Zealand Symphony Orchestra
Really learn the orchestral excerpts - I always find they're the most important part of an audition for an orchestral position.
Finlay Bain · 4th Horn, Royal Philharmonic Orchestra
Don't forget the basics; simple elements of playing like dynamics and rhythm are instantly noticeable to the panel and demonstrate very clearly your level of preparation.
Alex McFarlane · Associate Principal Viola, New Zealand Symphony Orchestra
Listen to several different recordings of the same excerpt just so you have an idea of different tempi and styles.
Finlay Bain · 4th Horn, Royal Philharmonic Orchestra
I find one of the most helpful ways of preparing is to record your audition and listen back during your practice.
Alex McFarlane · Associate Principal Viola, New Zealand Symphony Orchestra
Play something you enjoy, and play it convincingly! And if you don't get in this year, try again next year!
Jason Evans · Principal Trumpet, Philharmonia Orchestra

Questions

Still stuck? Email the orchestral manager